If you don't want extra features, just leave them in their off position.Įnhanced Metering: Two modeled (and beautifully rendered) VU meters dance with the music, and a stereo peak meter lets you control the output signal.I opened up a project yesterday that uses SampleLord on most of the tracks (a 32bit soundfont player) and I was getting crackles all over the place.
Super Fast Attack: Faster than you can think of.
And since the "Dry" signal also spent some time inside the algos, it's of course influenced by all that analog modeling mojo - like the subtle distortion from the input and output stages. Parallel Compression: Work with parallel compression from within the plug-in. And yeah, Softube didn't forget the "All Buttons In" mode. But if you prefer the old standard way (with fixed ratios), just click the labels and you're ready to go. Unlike its hardware predecessor, the FET Compressor has a fully variable ratio. Stereo with synchronized gain reduction.Sweet input and output stage distortion.Super fast attack time (just like the original).Continuous ratio (even between 20:1 and ALL.).Modeled analog compressor, input and output stages.
#Cakewalk sonar 8 vst plugins bundle full
In addition to the ProChannel Module, you also get the full VST version of the FET Compressor. Due to the incredibly fast attack this FET Compressor is perfect for Slap Bass, Drums, and other percussive source material. Place the FET Compressor module anywhere in the signal chain via drag and drop. The easy to read Gain Reduction meter allows monitoring of dynamics across multiple tracks without opening and managing separate plugin windows. Now you can add an additional FET Compressor with unique character and controls to the ProChannel. Softube took their incredible FET Compressor VST and optimized the interface for the ProChannel. And hopefully it will be easier to do it the next time (yeah right). It's been by far the hardest project Softube have taken on, but they feel that the result speaks for itself. Instead of modeling individual features and putting them together digitally, Softube have modeled the unit in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. When creating FET Compressor, Softube set out to make the most accurate emulation of the most famous solid state compressor. It takes a model of great complexity and accuracy to make a digital replica sound like the original with all settings and inputs. Simply approximating the most apparent features is not enough to capture this uniqueness. It's the deficiencies of the different designs and components that give each unit its unique character, and what started out as technical limitations have now become sought-after sounds. The heritage of analog compressors very much showcases the history of electronics in the previous century. But anyone who has worked with hardware compressors knows that there must be more to it.
Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times.
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